Projektor is built for small, direct, single-machine mapping workflows. These are practical ways to use the features that ship today—not customer case studies or promises about a venue it has never run.
The whole loop stays visible: geometry, sources, scene state, controls, and output. Nothing needs an export round-trip before the picture reaches the wall.
Start with the test surface →Add surfaces for the screens, scenic flats, or props in front of the projector. Warp each one directly against the real geometry.
Mix clips, images, captured screens, cameras, test patterns, or live GLSL. Tune masks, blend modes, and colour per surface.
Save the states you need, choose crossfade timing, map MIDI controls, and check the clean output before the room opens.
Keep the editor on the laptop while a separate window mirrors the stage to the projector on the same machine.
Map clips and shaders across a compact stage, then perform with Looks, crossfades, MIDI, beat timing, and microphone-reactive uniforms.
Best for a single-machine rig. It is not a replacement for a networked media server.
Fit a projection to a wall, façade detail, prop, sculpture, or irregular flat shape with quads, ellipses, polygons, and mesh controls.
Alignment is hands-on. Projektor does not provide a full 3D calibration or multi-projector blending workflow.
Prototype a small exhibit or temporary activation without preparing a native-app install. Save the project locally and reopen it on the show machine.
Use a supervised browser session; unattended, redundant installation playback is outside the current scope.
Write and compile GLSL against the running composition, keep the last good program when a compile fails, and drive uniforms from live audio.
This is a focused shader surface, not a general-purpose node or 3D environment.
Teach corner-pin geometry, compositing, or shader basics from a URL. Learners can open the same instrument without provisioning desktop licenses.
Shared links carry scene data and URL-backed media; local files and camera streams stay on each device.
In a local developer setup, connect the included MCP server so an AI agent can inspect the stage, edit surfaces, assign media, and prepare Looks.
The agent handle is opt-in and disabled in the public production bundle. Live or destructive actions remain gated.